. Kaval is kind of flute similar to Turkish kaval and middle eastern Ney. Bulgarian folk music is highly attractive to Western ears, as anyone who has access to the excellent record issued by the Columbia World Library (Co- These last two rhythms are known respectively as c (Friday) and (Saturday). Bulgaria is officially a secular nation and the Constitution guarantees the free exercise of religion but designates Orthodoxy as a "traditional" religion. Bulgarians often give each other a martenitsa () an adornment made of white and red yarn and worn on the wrist or pinned on the clothes from March 1 until the end of the month. When I was a child, I caught myself many times doing that. Another notable feature of Bulgarian folk music is its use of microtones. Most citizens of Bulgaria have associations at least nominally with the Bulgarian Orthodox Church. The modern instruments used in Bulgarian music include the violin, the clarinet, the tambura (a long-necked lute), the gadulka (a short-necked fiddle), and the kaval (a flute). The adornments on the costumes vary from one region to another. Songlist: Ajde Cure Kolo Da Vodimo, Alaj Alaj Jano, Smiljem Gora Oobrascena, Crven Fesic, Cvice Moje, Divojka Je Mileduv Brala, Ej Zito Zela, Tri Jetrve, Letovanic, Majka Maru, Maramica Na Stazi, Cija Li Je Taraba, Oj Djevojko, Oj Livado Rosna Travo, Slavonska Poskocica, Oj Savice, Tri Curice Zito Zele, Zapevala Sojka Ptica, Zora Se Bjeli, Podravina Wedding Suite, Eleno, More Sokol Pie, Ladom Se Goro Zalade, Majka Rada, Ozdolu Idu, Trgnala E MAlka Moma, Nikolo Le Nikolcho Le. Alternatively, one can take off the martenitsa earlier if one sees a stork (considered a harbinger of spring). The bag itself is made of a goat skin turned inside out, and most often the rims of the different parts of the instrument - chanter and drone pipe - have a piece of horn on it. Due to this great variety of influences, Bulgaria has adopted many unusual traditions. Folk music was particularly popular, as it was seen as a way to connect with the traditions of Bulgarias past. The dances are really enthralling. Mostly, the legs are high in the air, while the hands hold the sash/belt/girdle of the adjacent dancers. Yeah, creating this post without the videos would have been a mistake because without seeing the people dance, its hard to understand and convey the message! These are the comedy "Mihal", translated by Greek and adapted for the Bulgarian audience by Sava Dobroplodni, who organized her performance in Shumen, and the dramas "Multitudes Genoveva" and "Belisarius", placed by Krastyu Pishurka in Lom. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). The Perception of the Bulgarian Past in the Court of Preslav around 900 AD. The dominant bulk of Bulgarian folk music occurs in odd metres usually, these are 5, 7, 9, and 11, with some occasional combinations of those, creating 13, 15, 17, and even larger. Bulgarian folk music has its roots in the music of the Thracian people, who were the dominant group in Bulgaria prior to the arrival of the Slavs in the 6th century AD. While some Bulgarian folk music is played for dancing, much of it is intended to be enjoyed as listening music. Ornamentation is often elaborate and includes trills, turns, slides, mordents, and other devices. 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